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Wisal Dhahab

£9.9£99Clearance
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The fruity part is short-lived. You can include these fruit notes all you want, but these top notes come and go in 10 secs before being occupied by synthetic rose (+ huge amount of geranium), musk bomb, some sweet florals, and some red fruits. I find the scent to be overwhelming, one-dimensional, and stuffy, especially when it's all about rose. This is more powdery and musky than woody. I believe it has synthetic ambroxan or something that makes it project like crazy. Sillage is huge that it causes me a headache sometimes, so 1-2 spray is more than enough, although longevity on 'my skin' isn't greater than sillage. The wide French windows of the rooms are wide open; the cooler wind, which has now also arrived, plays with the light curtains; it invites them to dance! For Colour Collection, the famous bottle is presented in five different colors for the first time, referring to five types of precious gems. Each bottle comes in a luxurious amethyst box with the Guerlain symbol of the sun. The gemstone-colored bottles contain five different fragrances selected from the Les Exclusifs collection: the sapphire bottle contains L'Heure de Nuit (2012), the ruby bottle features Amber Brûlant (2008), Santal Royal (2014) comes in a green bottle that represents emerald, amber is the color of Spiritueuse Double Vanille (2007), and amethyst is the color for L'Eau de Parfum du 68 (2013).

To be fair, I'll start by saying that this is wonderfully built. The accords are very well executed with the woods and the rose standing out, and some flowery notes floating within this incredibly warm composition. Perhaps I chose the wrong month of the year to try this, but I can tell you it is not my cup of tea at all. Not at all. As another reviewer on here pointed out, it's a love it or hate it scent for sure. In the meantime, all the young women have come out of their chambers in their veil-like robes and sumptuously hung with jewellery; like little colourful glittering birds, they chirp and chirp, bringing life to the garden.

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A warm wind is blowing in and bringing the scents of sandalwood and cedar wood in this garden to blend with those of the flowers. This creates a very complex and powerful fragrance that only perfumers from the Middle East may sometimes create.

The woody, ashy, heavy side makes it feel more masculine. But the peach and florals keep it close to unisex. To me, the opening rides the line between a dark, mysterious, and very attractive male, and something my aunts might wear, settling on the former as the freagrance dries down. Whisal Dhahab" at first sight seems to be a fragile fragrance, which gently enters with fruits, and on the horizon an orchard appears consisting of apple, pear, peach and citrus trees. If this is called a rose/wood combo, then it would not be telling you the full story of whiffs of geranium and jasmine that you can fully experience if spritzed on ones warm skin, or the musky, woody dry down and that faintest bit of cedar that remains on your skin. The patchouli troubles nothing, it is tamed by the musk. On the unexpected and potentially negative side, this is not a fragrance that connotates gold to me, which I'm told is the meaning of 'dahab', and certainly the color of this gorgeous bottle. (Gorgeous despite a cheap cap that required E 6000 on arrival, hehe. It's perfect now.) Dahab is somewhat unisex in the mid notes and dry down as well, while I was hoping for something incredibly femme fatale. Also, the fruity top notes (while beautiful!) seem to be missing the ambrosial pear I adore. But while it's not all I might have hoped, there is more to this than meets the eye.I actually scrubbed it off my wrist as I just couldn't handle it. It was overwhelming, which means that it did perform real well, however it was smothering me. This is heavy, super warm, rich, complex scent, and probably best worn by a middle-aged or even older woman. So here and there a curtain is already being pushed aside; the voices of the women grow louder and livelier, and the first of them appear in the garden, lightly yet splendidly dressed. Overall, the fragrance is rather compact and does not undergo any great development, but this is sometimes quite nice. I'll try to describe him: The enclosed portion of the seraglio consists not only of the pavilions, loosely strung together, with their richly furnished chambers, but also of large gardens, with a great variety of water-arts, which refresh the air, and at the same time afford beautiful and entertaining diversions.

Pluto writes that with "Wisal Dhahab" the head notes are completely undercut to her, well, with me they are persistent, as head notes rarely are. And so I can also report almost only from them: Obviously, "Wisal Dhahab" is a fragrance creature with its own ideas about how it wants to develop and with whom. Final thoughts, beauty is in the eye of the beholder; however, this one to me is overrated. But if you associate beauty with beast-mode quality then this is for you. What made it more special was I get compliments when I wear it which gave me more reason to use it often. It became my spring 2016 signature scent. I loved this fragrance a lot, I often use this especially on special occasions because my husband, friends and family love the fragrance on me. It has in a way become my scent for a good year. 2017-2019 I went on a rapid fragrance journey- tested, tried and bought lots of fragrances and so my Ajmal bottle sat quietly inside my perfume cabinet waiting for me to notice it again. I occasionally use it but the other new fragrance discoveries always get my attention.And when many hours have gone by and you put your nose to your perfumed wrist to take a sniff, you will be greeted with the most beautiful, tame, woody rose that you could wish to inhale.

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