Waiting on a Song

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Showing a guy looking for a job while also revitalizing a house plant, this 60-second LinkedIn ad spot encourages viewers to take a few small steps with their LinkedIn community and see how things can grow. Album – Classifica settimanale WK 23 (dal 2017-06-02 al 2017-06-08)" (in Italian). Federazione Industria Musicale Italiana . Retrieved June 10, 2017. Le Top de la semaine: Top Albums – SNEP (Week 23, 2017)". Syndicat National de l'Édition Phonographique . Retrieved June 13, 2017.

Waiting on a Song by Dan Auerbach on Apple Music". Itunes.apple.com. 2017-06-02 . Retrieved 2017-06-03. I mean, there are just so many musicians everywhere — and some of the greatest musicians, that made some of my favorite records of all time. I mean that's it. That's why I came here. In fact, many of those musicians are on [my] new record [ Waiting On A Song]. Duane Eddy [is one of them]. I met him a few years ago, through a mutual friend of ours. We went out and had lunch, but I really got to know Duane when he first came to the studio, because he walked in and his eyes lit up. I could just tell that he loved being in a studio. So he was one of us, you know? Here’s the brand-new LinkedIn commercial that’s titled ‘Let’s Step Forward, Together’ and features the tagline ‘In It Together’. Geslani, Michelle (May 29, 2017). "Dan Auerbach – Waiting on a Song". Consequence of Sound . Retrieved June 3, 2017. I first interviewed Dan in Philadelphia a few weeks ago while we were at Philly station WXPN for NON COMM-vention, a public radio conference. After that 45-minute conversation I discovered — as is every interviewer's worst nightmare — that the resulting sound file was only 12 minutes long. I was sad we lost that interview, but determined to do it again. As it turned out I was flying to Nashville the following week, so we wound up meeting at Easy Eye for a conversation that took place in the middle of the studio. His engineer set us up with a mixer and two microphones, in the very same room where Waiting On A Song was born. We had this free-flowing conversation, that included playing the music that inspired him to make Waiting On A Song and to create his own record label, which shares a name with his studio.From there both the man’s work prospects and the condition of his house plant simultaneously improve, culminating with him taking the now much healthier plant to a job interview. acoustic guitar 1, 6, 8, 10, resonator guitar 6, 12 string acoustic guitar 4, 12 string guitar 1, electric guitar 1-4, 7, 9, 10, steel guitar 9, sitar 2, 5 Auerbach actually recorded "When The Night Comes" at Mark Neill's studio in California, along with an instrumental bridge, "Because I Should." The two talked about "needing to create little pieces to tie the songs together," Auerbach says, "to create a mix-tape flow." But aside from that interlude, Keep It Hid had its own natural momentum in the emotional gear shifts of Auerbach's writing and the way his regular listening to the records he loved – in some cases, had just discovered – charged the music he made.

Dutchcharts.nl – Dan Auerbach – Waiting on a Song" (in Dutch). Hung Medien. Retrieved June 9, 2017. While Waiting on a Song is casual in execution, it’s extremely intricate in construction, with each disco-string sweep, brass-section stab, and razor-sharp acoustic strum deployed with push-button precision. At times, the album feels less like a traditional singer/songwriter affair than a business card for Auerbach’s studio. Alas, Waiting on a Song also betrays the limitations of its song-factory set-up, in that the consummate craftsmanship renders the lyrics a secondary, impersonal concern.

New Release And Video: Dan Auerbach – Waiting On A Song". thankfolkforthat.com. 22 May 2017 . Retrieved 25 July 2017. The result is an album that both bears very little relation to Auerbach’s past efforts, yet nonetheless exudes his signature retro-soul fetishism. Whether it was his 2009 solo debut Keep It Hidor his 2015 foray with the Arcs, Auerbach’s outside pursuits have had the Keys’ muddy footprints all over them. But Waiting on a Song could be his first record without a drop of the blues in the mix, with Auerbach favoring the less gruff, more melodic register in his voice atop a studio-smoothed concoction of country, soul, folk, and power pop. I didn't really have the confidence to kind of 'sing out loud,' but they encouraged me. You know, my uncle taught me some songs to play, some basics and stuff on guitar ... he taught me my first songs.